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This fifth step is where we twist the colors around to give them the film feel. Step five: emulating the “color profile” of film Note: you can read much more about the vibrance functionality over here, along with visual examples. That being said, the various films brand that became iconic rendered colors differently as well, and the specific way some of them reacted (more saturated, more green, more blue, etc.) got them really sought after.

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If you feel happy with the color rendition of your image, feel free to skip this step. By adding a Vibrance adjustment layer, we can fix this a little.

A lot of cheaper digital cameras have sensors that don’t render a color spectrum as extended as, say, a pricey high end DSLR. In my opinion, here’s where we really start to “cheat” with the digital image. I could have used a curve adjustment layer to execute this step, but since I didn’t need much refinement, the Brightness/Contrast one works just fine. Doing it here allowed to bring more intensity in the hay, and in that building in the left of the image. The contrast adjustment might not be necessary, depending on your starting image. I’ve dragged it until my input value reads 130, and my output value reaches 140. Just click on the center point of the curve, and drag it upwards. Curves are much more flexible and powerful. You could use a Brightness/Contrast adjustment layer, but I decided to use a Curves layer instead. The second step consists of lightening the image a bit. This is very straight forward: open your image, and double click the background layer to make its own layer. After that, I’ll apply the same effect to the two others to see how transferable it is. They’re called Path in forest, Misty morning, and Tuscany farm and fields. I’m using three images that I’ve grabbed from sxc.hu. This will allow us to, by turning a few layers off, to always get back to the original image. The adjustment layer bit is crucial in order to keep a non-destructive workflow. The grain can be either generated by Photoshop’s noise functionality, but we’ll probably use a real film grain and/or dust texture for added realism, and the saturation and cross-processing will be done using adjustment layers. We’ll be exploiting the power of curves to accomplish some of that stuff. The faded look is the signature feature here. I’ll use some of my own images here as examples:Īs you can see, we get a “faded” look (“crushed” colors), some grain, and some strange saturation mixed with cross-processed tones. Let’s have a look at what kind of effect VSCO Cam produces Oh, and it looks like the folks at VSCO Cam like Thanks for sharing Simon! Loving your #VSCOgrid & your support! Very appreciated & nice work on this! Keep it up! I personally use Photoshop CC, but I’m fairly certain that you’ll have access to the same tools than I do starting with Ps CS3. So, our quest today will be to create an editing workflow that brings us similar results, but by using Photoshop. I’ve also shot images at the Cleveland Zoo, at the Aquarium, and during Signal Midwest’s WMC Fest set.īut editing images on a small screen isn’t always the best and most practical. Knowing that I don’t shoot too much film these days (despite owning a couple of Polaroids and an old Fujica ST 705), it’s kind of the closest I’m getting to it.īeen living under a rock for the past few years and don’t know what Instagram and VSCO Cam are and what they do? Here’s my Instagram profile, and my Grid™ profile. I’m a sucker for these often over-the-top film vibe images. Purchasing the whole set of filters in that last app was so worth it. But even better than Instagram is VSCO Cam. Well today, I want to talk about another one of my hobbies: photography. I’ve also used similar techniques in the tutorial I wrote when we released the Go Media building texture collection. I mean, just check the Lost and Taken poster tutorial, or the Do androids dream of electric sheep one.

You know me as a designer that loves to create posters with a lot of textures. Welcome back to the design blog built by Cleveland’s finest graphic designers. Hey designers, attend our all-inclusive soul-fulfilling three-day design retreat, WMC: Off-The-Grid, this October 5 – 7th.

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